ARTS & THEATER
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For a Resilient US Theater, Post-Pandemic
For a Resilient US Theater, by UCLA researchers Barbara Fuchs and Rhonda Sharrah, is part of Pandemic Preparedness in the…
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Aerial Performance in a Wheelchair
Tjaša: And so are you now based in New York or are you still based in the Bay Area? Laurel:…
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Black Patience: Performance, Civil Rights, and the Unfinished Project of Emancipation
Dr. Julius Fleming visits the Segal Center to discuss his recent book, Black Patience: Performance, Civil Rights, and the Unfinished…
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Recasting, Restorying, and Restructuring Shakespeare for Liberation
Recasting refers to giving a metal object new life by melting it down and reforming it. By taking Shakespeare out…
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Curating Openings in the Theatre of María Irene Fornés
Anna: Thank you for clearing that up—that was a big point of uncertainty for both myself and the actors, and…
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Milo Rau’s The Moscow Trials
In light of Alexei Navalny’s death, join us for an evening with the Swiss theatre artist and director Milo Rau…
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Finding the Individual in Your Digital Choreography Library
LaJuné McMillian: What’s different about this process versus a normal motion capture process is that normally when someone does motion…
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Suzan-Lori Parks’ Watch Me Work
Watch Me Work is a communal work session for anyone eager to nurture and sustain their creative process. Facilitated by…
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Autistic Artists Should Be Telling Autistic Stories
Theatre is a powerful force. The stories told onstage shape how an audience views their friends, children, and colleagues. It…
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A Circus Robot’s Death-Defying Act
Tjaša Ferme: Welcome to Theatre Tech Talks: AI, Science, and Biomedia in Theatre, a podcast produced by HowlRound Theatre Commons,…
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