MOVIE
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‘Megalopolis’ Review: A Bold and Divisive Passion Project Worth Seeing
‘Megalopolis’ Review: A Bold and Divisive Passion Project Worth Seeing | Talking…
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‘All We Imagine As Light’ Review: Three Women Beneath the Blue Monsoon Skies of Mumbai
‘All We Imagine As Light’ Review: Three Women Beneath the Blue Monsoon…
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Review: ‘Monsters: The Lyle and Erik Menendez Story’ Lacks the Clarity of a Riveting Tale
Review: ‘Monsters: The Lyle and Erik Menendez Story’ Lacks the Clarity of…
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‘Berlin’ Review: A Layered Tale of Deception, Betrayal, and Sacrifice
Atul Sabharwal‘s third feature film, Berlin, is an espionage thriller set during the times when India, under the leadership of…
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‘Speak No Evil’ Review: An Americanized Remake for Better and Worse
‘Speak No Evil’ Review: An Americanized Remake for Better and Worse |…
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‘Uljhan – The Knot’ Review: A Scalpel on the Deep Seated Class Divide
‘Uljhan – The Knot’ Review: A Scalpel on the Deep Seated Class…
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‘Beetlejuice Beetlejuice’ Review: A Nostalgic, Magical Return with Ambitious Missteps
‘Beetlejuice Beetlejuice’ Review: A Nostalgic, Magical Return with Ambitious Missteps | Talking…
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‘IC 814: The Kandahar Hijack’ Review: A Tale of Resilience and Moral Dilemmas
‘IC 814: The Kandahar Hijack’ Review: A Tale of Resilience and Moral…
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‘Only the River Flows’ Review: The Emotional Burdens of Life’s Uncertainty
‘Only the River Flows’ Review: The Emotional Burdens of Life’s Uncertainty |…
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Review: ‘Manorathangal’ is a Cinematic Tribute to the Literary Icon
Review: ‘Manorathangal’ is a Cinematic Tribute to the Literary Icon | Talking…
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