ARTS & THEATER
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Commedia Gets a New Face
Stereotypes in Traditional Mask Designs As a mask maker, I am tasked with representing a character on stage. I’m often…
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Under the Radar Symposium | HowlRound Theatre Commons
Conceived of and produced by Mark Russell and ArKtype in partnership with the International Presenting Commons (IPC), Creative and Independent…
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On Translating Nobel Laureate Jon Fosse’s Works for American Audiences
I reached out to the Norwegian consulate, and they were interested in helping. The day I went to meet with…
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Strengthening International Exchange in Turbulent Times
On 9 August 2023, the International Presenting Commons (IPC) and the Edinburgh International Festival gathered an invited, international group of presenters, producers, artists,…
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Thinking Outside the Black Box
Larger Theatre Companies With Buildings Requesting a larger company’s actual stage is a huge ask, and often not financially practical…
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Home and Exile in Queer MENA Theatremaking
Nabra: That’s very exciting. Marina: We have to come back to immersive site-specific soon, yes. Nabra: Yeah, as soon as…
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Indigenous Theatre Reclaims the Center at Minneapolis’s Guthrie Theater
The centering process even inspired visual modifications to a deeply established performance venue. The interior design of the Guthrie Theater…
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Contemporary Circus in NYC: New Audiences and Global Connections
US audiences have been slow to awake to circus’s recent (r)evolution. Gone are the tired old stunts, ethically questionable human…
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Suzan-Lori Parks’ Watch Me Work
Watch Me Work is a communal work session for anyone eager to nurture and sustain their creative process. Facilitated by…
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Why the American Theatre Needs Nobel Laureate Jon Fosse
Jon Fosse is one of only a handful of playwrights to be awarded the Nobel Prize in Literature out…
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