MOVIE

‘La Máquina’ Review: An Insipid Tale of Resurrection

‘La Máquina’ Review: An Insipid Tale of Resurrection | Talking Films …

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‘Saturday Night’ Review: Capturing the Chaos and Magic of SNL’s First Broadcast

‘Saturday Night’ Review: Capturing the Chaos and Magic of SNL’s First Broadcast…

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‘The Apprentice’ Review: Sebastian Stan and Jeremy Strong Shine in a Provocative, Bold Donald Trump Biopic

‘The Apprentice’ Review: Sebastian Stan and Jeremy Strong Shine in a Provocative,…

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‘CTRL’ Review: The Toll of Digital Recognition

‘CTRL’ Review: The Toll of Digital Recognition | Talking Films …

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‘Joker: Folie à Deux’ Review: An Ambitious Musical Failure

‘Joker: Folie à Deux’ Review: An Ambitious Musical Failure | Talking Films…

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‘Megalopolis’ Review: A Bold and Divisive Passion Project Worth Seeing

‘Megalopolis’ Review: A Bold and Divisive Passion Project Worth Seeing | Talking…

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‘All We Imagine As Light’ Review: Three Women Beneath the Blue Monsoon Skies of Mumbai

‘All We Imagine As Light’ Review: Three Women Beneath the Blue Monsoon…

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Review: ‘Monsters: The Lyle and Erik Menendez Story’ Lacks the Clarity of a Riveting Tale

Review: ‘Monsters: The Lyle and Erik Menendez Story’ Lacks the Clarity of…

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‘Berlin’ Review: A Layered Tale of Deception, Betrayal, and Sacrifice

Atul Sabharwal‘s third feature film, Berlin, is an espionage thriller set during the times when India, under the leadership of…

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‘Speak No Evil’ Review: An Americanized Remake for Better and Worse

‘Speak No Evil’ Review: An Americanized Remake for Better and Worse |…

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