MOVIE

Review: ‘Monsters: The Lyle and Erik Menendez Story’ Lacks the Clarity of a Riveting Tale

Review: ‘Monsters: The Lyle and Erik Menendez Story’ Lacks the Clarity of…

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‘Berlin’ Review: A Layered Tale of Deception, Betrayal, and Sacrifice

Atul Sabharwal‘s third feature film, Berlin, is an espionage thriller set during the times when India, under the leadership of…

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‘Speak No Evil’ Review: An Americanized Remake for Better and Worse

‘Speak No Evil’ Review: An Americanized Remake for Better and Worse |…

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‘Uljhan – The Knot’ Review: A Scalpel on the Deep Seated Class Divide

‘Uljhan – The Knot’ Review: A Scalpel on the Deep Seated Class…

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‘Beetlejuice Beetlejuice’ Review: A Nostalgic, Magical Return with Ambitious Missteps

‘Beetlejuice Beetlejuice’ Review: A Nostalgic, Magical Return with Ambitious Missteps | Talking…

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‘IC 814: The Kandahar Hijack’ Review: A Tale of Resilience and Moral Dilemmas

‘IC 814: The Kandahar Hijack’ Review: A Tale of Resilience and Moral…

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‘Only the River Flows’ Review: The Emotional Burdens of Life’s Uncertainty

‘Only the River Flows’ Review: The Emotional Burdens of Life’s Uncertainty |…

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Review: ‘Manorathangal’ is a Cinematic Tribute to the Literary Icon

Review: ‘Manorathangal’ is a Cinematic Tribute to the Literary Icon | Talking…

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‘Alien: Romulus’ Review: Alvarez Injects Life Into Yet Another Horror Franchise

‘Alien: Romulus’ Review: Alvarez Injects Life Into Yet Another Horror Franchise |…

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‘Paradise’ Review: A Reflection On the Existential Void

‘Paradise’ Review: A Reflection On the Existential Void | Talking Films …

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